Particularize Books To The Notebooks of Malte Laurids Brigge
Original Title: | Die Aufzeichnungen des Malte Laurids Brigge |
ISBN: | 0393308812 (ISBN13: 9780393308815) |
Edition Language: | English |
Characters: | Malte Laurids Brigge |
Setting: | Paris(France) |
Rainer Maria Rilke
Paperback | Pages: 237 pages Rating: 4.03 | 6824 Users | 390 Reviews
Mention Based On Books The Notebooks of Malte Laurids Brigge
Title | : | The Notebooks of Malte Laurids Brigge |
Author | : | Rainer Maria Rilke |
Book Format | : | Paperback |
Book Edition | : | Anniversary Edition |
Pages | : | Pages: 237 pages |
Published | : | April 17th 1992 by W. W. Norton Company (first published 1910) |
Categories | : | Fiction. Classics. European Literature. German Literature. Poetry. Literature |
Commentary In Pursuance Of Books The Notebooks of Malte Laurids Brigge
The Notebooks of Malte Laurids Brigge is Rilke’s major prose work and was one of the earliest publications to introduce him to American readers. The very wide audience which Rilke’s work commands today will welcome the reissue in paperback of this extremely perceptive translation of the Notebooks by M. D. Herter Norton. A masterly translation of one of the first great modernist novels by one of the German language's greatest poets, in which a young man named Malte Laurids Brigge lives in a cheap room in Paris while his belongings rot in storage. Every person he sees seems to carry their death within them and with little but a library card to distinguish him from the city's untouchables, he thinks of the deaths, and ghosts, of his aristocratic family, of which he is the sole living descendant. Suffused with passages of lyrical brilliance, Rilke's semi-autobiographical novel is a moving and powerful coming-of-age story.Rating Based On Books The Notebooks of Malte Laurids Brigge
Ratings: 4.03 From 6824 Users | 390 ReviewsCommentary Based On Books The Notebooks of Malte Laurids Brigge
A beautiful writing, a beginning that carried me, but then I had a little more trouble. No real story, and as many of the topics discussed have spoken to me, so many others have left me quite cold (relationships of historical characters). I know this book is a classic, and the style fully justifies it. But my weak attention span and the particular genre of the book (actually neither novel nor story nor anything else) allied against me when reading this book.Sometimes choosing a star rating can be difficult. To avoid falling trap to such uncertainty, I try to stick as formally to the description as possible (ie: 1= didnt like, 2= it was ok, 3=liked it, etc.). What gets really hairy, though, is when I have to reconcile liked with appreciated, which can be at odds and which happens occasionally with literature. This is made all the tougher when I already have it in my head that I should like, or at the very least appreciate, a book because people
For many years the most important literary figure in my life was J.M.Coetzee. I never thought that would or could ever shift. Until now. Not only did I discover my innermost literary love, but I also uncovered the literary paternity between Rilke and my other unparalleled love - J.M.Coetzee. Coetzee - a limb of Rilke.There are things to live for.
For many years the most important literary figure in my life was J.M.Coetzee. I never thought that would or could ever shift. Until now. Not only did I discover my innermost literary love, but I also uncovered the literary paternity between Rilke and my other unparalleled love - J.M.Coetzee. Coetzee - a limb of Rilke.There are things to live for.
I won't say that I fully understood everything, which I haven't(Though it's possibly impossible). All that I know is that this little piece of work carries everything I define as "Rilke's spirit", through the language, the themes, the actions described. Did I wonder before how Rilke's poetry would be in prose form? Well, I sure as hell know now.The main theme seems to be death: How people die, how we die ourselves and that most people don't even care anymore to pick a death suitable to them or
I dont imagine that I will always read. I hope not, anyway. For someone who is so scared of death it is rather perverse, or certainly absurd, that I spend so much of my time amongst the dead, instead of engaging with the world around me. Indeed, that is why I started reading heavily, it was, Im sure, a way of turning away from a world that I so often felt, and still feel, at odds with, towards another that I could control and which did not challenge me. With books, I can pick and choose a
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